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- Modeling Shoots
THAVISOUK PHRASAVATH. FILM DIRECTOR. 2008 SUNDANCE FILM FESTIVAL Thavisouk Phrasavath (Thavi for short) came to the United States as a refugee of the Vietnam War like most Laotian Americans. During the war, his father, an officer in the Royal Lao Army, was sent to "seminar" (re-education prison camp) by the new communist government. Because of the Phrasavath family’s close connection to the failed regime, Thavi and his family had no choice but to leave Laos. He swam across the Mekong River to reach the refugee camps in Thailand, first staying at Napo, then Ubon. Thavi’s mother and remaining siblings followed two years later, only to meet with a misfortune that would take them over a decade to rectify. Offered just one opportunity to leave, Thavi's mother had very little time to gather what remained of her family and quickly flee. Two daughters, ages 2 and 14, were not at home and could not be immediately found...
"Nerakhoon"
is the cinematic documentary story of the Phrasavath family's experience
leaving home, forcibly immigrating to a new country and relating to what
they left behind. Collaborating with experienced cinematographer-director
Ellen Kuras (Eternal Sunshine of the Spotless Mind, Blow, and Summer of
Sam), Thavi wears many hats: film subject, co-director and main editor.
This January I traveled to Park City, Utah to join Thavi, his family and the
documentary team for the premier of “Nerakhoon” at the 2008 Sundance Film
Festival. It was Thavi's desire to share with Lao Roots Magazine a first
hand experience of the renowned independent film festival because, he
insists, "I don't want to be the first and only -- I know that if I can get
this far, the younger generation of Laotian American's can go much
further." The completion of the documentary has been a long journey with
nearly 23 years in the making. At the pre-screening party, a mixture of
excitement and relief filled the restaurant. When asked how he felt about
finally reaching the finish, Thavi compared the process to raising a child,
nurturing and grooming it, and now letting it out into the world. “We have
worked very hard for a long time and I hope that our offspring will be well
received,” Thavi said. Wilder Knight, an unrelenting producer and attorney,
continued working through the celebration lunch, reviewing agreements and
meticulously analyzing the fine print for the film's debut. Tickets to the
premier screening were sold out weeks in advance. More
[Here]
KETSANA VILAILACK. SINGER/PROMOTER/ENTERTAINER.
Although she is quick to
brush off similarities of any kind, Ketsana Vilailack (Ketsana) will always
live in my memory as the original “Lao Madonna.” In my youth, growing up in
my parents Laotian grocery store, I would stare at her concert photos and
replay songs from her tape (yes, audio tape!) on the PA system. A native
born Laotian; she sang in perfect English. A poster promoting her late
1980s tour with the Laotian band "Nirvana" always impressed me – here is a
music rockstar who is a young Laotian woman, dressed fashionably hip and
glamorous. One would have to wonder how far she could have gone if she made
her big break on American Idol? My mother and her friends, on the other
hand, pointed to the same poster and indicated it was a perfect example of
what a proper Laotian woman should not be. Of course, this only
fueled my rebellious young impressionable mind to think, “Oh, how cool!” As
someone once said, “well behaved women rarely make history.”
More
[Here]
PRASCHAN REQIUEM. FILM LRM:
Can you tell us a little about Praschan Requiem? CATZIE
VILAYPHON. SPOKEN WORD ARTIST. Flash back
to the 2004 Sierraville Rodeo in Northern California. Billy Soksoda is
bruised and battered from riding in two other events. Despite suffering from
a badly twisted knee, Billy Soksoda climbs onto a bull named Jojo.
Fortunately, for Billy, he has a good luck charm this time on the sideline,
his young son William. The gate opens and eight seconds later, it is over.
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